The Movie Report: Nosferatude

I went 5 weeks with slow, spotty internet, one of which I was relying purely on phone data that officially ran out after two days of use so I was stuck on circa-2005 era snail slow data speeds where images and most websites wouldn’t load at all. While largely a miserable time for doing anything normal and putting a literal event to the feeling of disconnection from the world to a high degree of clarity I apparently needed, I was able to set aside the trouble as temporary and spend more time watching movies I’ve largely missed. Naturally, I focused on horror.

I originally wrote mini-reviews aiming for under 300 characters (…and failed many times), but things took a turn when I was inspired by Nosferatu. These are more or less in order, but I’ve left that for the end. Otherwise, I’m partially copy-pasting my original words, partially editing to make them more readable.


Bring Her Back
Eh. I don’t like family trauma movies very often and that was the core theme of this movie. There’s supernatural horror and gore in this but it felt more like slogging through emotional mud. People who evidently don’t like straightforward horror seemed to like this so maybe I’m picky.

The Occupant
I knew the pretty poster was going to be Color Out of Space lies. There was a tiny bit of sci-fi horror but the core of the movie was about addressing grief via one’s own survival. It’s a 5 on IMDB right now and that’s very fair.

Bridget Jones Mad About The Boy
This was my third movie in a row about grief. I would like to watch zero movies about grief. Otherwise, it was an easy watch, simple story, cute but not gross. There would have been pie-related violence if that prick had ghosted me because he boohoo caught fweewings.

The Ugly Stepsister
A horrific adult retelling of Cinderella. Fanciful, beautiful, and fantastical scenes intermixed with raw, off-putting, disgusting shit. Feels like it could be a triple feature between Marie Antoinette and The Substance. Ironically, the lead is quite pretty. This was one of the better, more interesting movies I’ve seen in recent history.

Phase IV
Thought I’d knock off a really old watchlist movie.
The amount of times I was attacked by red ants for merely sitting outside as a kid tells me that this is a fine documentary.
Many super slow, photography-rich scenes. Overall not bad, not great. Could have been better as a short/short story.

Repulsion
I likely have seen this before, but I hadn’t marked it as watched so I would have seen it at least 15 years ago. Details were gone, in any case.

If it weren’t for the horror element and the probable “man interprets women as frigid, fragile things in which to conquer” guilty conscious on display issue coming from the director, this was closing in on some asexual representation.

60 years later, this could have been snappier and I was getting bored by the end, but I liked the symbolism of the beauty salon, the rabbit, the nuns. Weird how little changes despite all.

Scanners
The opening mall scene reminded me of how sterile common spaces have become. Bring back warm colors & neon to the design world, please. Otherwise, I watched this movie while experimenting with a new tarot technique, so my original “review” is full of spoilers. All in all, the movie wasn’t quite what I expected, but it was plenty interesting.

Prince of Darkness
Through 2025 eyes, this one was not what it likely would have been in 1987. 80s/90s me would have liked this movie more.

The beginning is a bit of a drag and made me hate the leads but some of the stupid one-liners and visual gags made the movie. I particularly liked the compact mirror scene. (Same, girl.) Also enjoyed the thousand candles, spotlights, and still somehow the guy was conveniently walking around with a flashlight. How many god damn lights do you need? And why all these lights and equipment yet not a single security camera? Did no one think to film the evil lava lamp? I guess that’s what you get for recruiting 40 year old college students for shit.

Maybe a coincidence, but I noticed “homosexual panic rash” boy was named Walter, which is the name of the guy who owns (get this) Walter Chang’s Market in Tremors, who is the professor in this movie.

Also a fun (backwards) reference to They Live with “I live!” as well as the alien talk.

The Stuff
Lovably stupid & very 80s.

It was a trip to see real products & design aesthetics of the time in the background of shots. When did that go away? How’d I miss it? Is novelty-chasing and catering to the youth core to the human experience so much so that the old just disappears one day in favor of next new big things? I think of the concept of kipple but cultural waves of poverty & minimalism between the blind consumerism take care of unloved things and newly perceived, once-trendy trash.

Ironically, with as absurdly written the movie is, the essence of the plot could be reworked and modernized.

I should point out that a lot of what I saw as “80s” was meant to be consumed. Even the more static and enduring things – neon signs, wood paneling – are meant to eventually become future trash. Nothing lasts forever. Maybe that’s what much of human choices are about.

Anyway, I’m perhaps overthinking this movie, but it’s on brand, for both me and the movie.

Bride of Frankenstein
Men will do anything except go to therapy. I want to know what women of 1935 thought of this, especially those of the feminist variety. (I ended up trying to look it up but got paywalled. BOO.)

Crazy goth vibes without the punk influences that came from goth aesthetic in/after the 70s. It’s probably best I didn’t see this as a kid, already being pretty inclined to darkly things.

I cried at the friend scene.

FIRE BAD.

The Blackwell Ghost
And here comes The Blackwell Ghost. I watched all 8 movies. In a row.

10/10 found footage horror I somehow missed last decade. Creepy and effective despite its flaws. It’s only an hour long, which is great for the attention span I’ve lost since 2017. Just might watch the sequels now. Holding out for sentient trees. (Read: low budget found footage series joke.)

The Blackwell Ghost 2
Not as good as the first, as it’s mainly a continuation of the first and the new stuff isn’t followed up on beyond “well, that happened”, and it’s more obviously a faux doc. These don’t have a lot of shaky cam but what’s there got me feeling sick in a hurry, so, fair warning.

The Blackwell Ghost 3
How is he this old but he doesn’t know about *69? Those commercials were relentless when we were kids.

New location, new creepy vibes, but hits the same beats as the previous two movies.

Five (going on six) sequels to go. Dare I continue?

The Blackwell Ghost 4
Still doesn’t know about *69. Continued with the new place and it seems to be more enduring. This installment was more effectively creepy than the previous one and didn’t hit exactly the same beats. This guy lucked out creating an already-solo franchise like this before 2020 (the next movies).

The Blackwell Ghost 5
Some solid movement forward on the second property story but, of course, a cliffhanger. I’m glad these things are only about an hour since there’s a lot of repetitive waiting for him to figure out things that aren’t that complicated.

Three more to go and I’m caught up.

The Blackwell Ghost 6
Shark fully jumped.

We’re at a new familiar location: his house. Still hadn’t dialed *69 but perhaps we know the answer of what would have happened if he’d done so. No mention of Covid-19 even with hospital talk so it feels like a separate dimension. With how bored and irritated his wife was in the previous movies, the plot of this one feels incongruent. Given the houses, daycare, travel, etc: All that movie money must be nice.

Almost caught up. 🦈

The Blackwell Ghost 7
We’ve switched subgenres. Concentration has returned to the 2nd home story, now with a twist somewhere between Saw and The Riddler. The creepy factor has been replaced with tedium. Wtf happened to the teeth…?

One hour left.

The Blackwell Ghost 8
Remember when this franchise was about ghosts? That was pretty awesome.

I knew going into this series that it wouldn’t be the cream of the crop but after the last 2 movies the cliffhangers and tedium have worn thin. Maybe when 9 comes out I won’t care anymore & watch it anyway.

For found footage it kept me hooked until the lack of believability started to take the reigns, so if you like found footage you’ll like this, if only until the genre switches gears to true crime with bonus sad ghost.

I don’t think I’ve seen horror set in Florida before so that was something new.

Cemetery Man
Absurd horror-comedy about the title dumbass having a rough time because the dead are coming back but he just wants love. Seeing this as an older teen might have been fun but it’s a step beyond what I should have been watching in 1994 because of the sexual content. The Grim Reaper figure in this was neato.

Dracula
It’s hard not to think of the recent Nosferatu while watching this 30s classic. It’s also hard not to think about how little humanity has changed in 94 years despite huge leaps in technology.

I’m not sure how I missed this beyond lack of zeitgeist relevance, but it has now been Watchedā„¢āœ“.

Might just have to watch the original Nosferatu now and compare the three. I think it might qualify as the oldest movie I’ve ever seen, once I do so.

That said, I’m jonesing for Fright Night now. Sexy vampire gonna steal yr girl.

The Cabinet of Dr. Caligari
Came across like listening to an 8 year old tell a story someone else told them. No way dude rly? Gosh. I can’t ~believe~ that happened.
Slow. I skimmed. No gods no masters. Just because something is considered a highly-rated classic doesn’t mean it’s everyone’s taste.
Literally said “what the hell” at the ending.
The set dec was 10/10.

Oh, and this is now the oldest movie I’ve skimmed through. The former oldest movie I’ve ever seen, Metropolis, was way better.

Heart Eyes
Today’s medicine.

“best in Seattle” *palm trees in background* *filmed in NZ* …k.

Had post-Scream 90s vibes and felt like a Hallmark romance parody tied with maybe Scream 2..?

Not great but easy and digestible.

The Life of Chuck
I had a rough day battling summer and the lack of proper working internet, so I took a break from horror. Oddly this began much like my day was going. If I made the universe be what it was today, I am a masochist. Sorry, guys. Nice to see kitchen dancin’ in film.

The Hitcher ’86
Do you like Duel but need to see the evil truck driver and have a hard-on for Californian desert scenery? Have I got the film for you. Bonus youthful familiar faces.

Took me back in time to where I grew up. Hey look, more hot dirt!

Curse of the Demon
The more older movies I see, the more I’m reminded of how recycled human stories are. Perhaps in 1957 this was interesting, but I was struggling to remain engaged. Stiff acting. Didn’t care for the “benevolent” sexism. This era of film may not be for me right now. Will try again later.

Grave Encounters
Irritating protagonists get trapped in a haunted building. Much motion sickness to be had. I paused or stopped the movie to recover so many times I just didn’t care anymore. It was similar to Hell House and As Above, So Below (read: two found footage movies I hated). I should watch Gonjiam: Haunted Asylum already.

Eddington
Fine lines everywhere. Made me think of the Primus song “Conspiranoia”. The core plot has Taxi Driver vibes. Some pretty anxious and tense moments and being reminded of that specific time sucks, even if it lives with us still. The Geronimo thing made me lol, at least.

Nosferatu 1922
First, my review: this movie, despite its age, was excellent. The 2024 movie was a modernized step up (particularly in removing focus from the long boat scenes and giving space for now-modern inclination for movie stars), and seeing that movie first probably helped stay on track with the original, but I would have been fine seeing the original first.

But I was distracted when I saw the letter Count Orlok sent to the real estate agent… and proceed jokes.

Nosferatu screenshot
  • Wingdings is the language of death.
  • Getting real sick of these cryptic doordash instructions.
  • Grown man trying to read his wife’s grocery list. [Bitch we can’t afford a house!]
  • I pulled up our zodiac charts and it said we were compatible, Jeff. Just look. See? My house in Envelope trines your Scorpio.
  • Ring ring ring ring ring ring ring, RUNE-A-PHONE!
  • Hi, this is Rite Aid pharmacist Emma Johnson. I’m just looking at the prescription order slip you sent over for Mr. Orlok. I’m not sure if there’s a mistake here or if you actually mean you want him to take 3 scythes and 1 house every hour, because that doesn’t sound safe..? Oh, just 1? Alright!
  • He glanced at the slip of paper he found on his Tinder date’s nightstand. There, to his horror, he learned that not only had she revealed herself to be a horse girl during their earlier coffee date, she was also an astrology girl. This would not do. He began to call an Uber.
  • High school math was just too difficult for poor, sad 17 year old former child prodigy Lillian. The big red “F” and “SEE ME AFTER CLASS” doodled over her attempt at trigonometry told her she was definitely not getting into her first choice school now.
  • Being able to read personalities from handwriting alone could sometimes be a gift, but looking at his elaborate letter signatures, she could tell this Orlok guy was a real twat.

After that “wingdings is the language of death” got stuck in mind, so I made it a shirt. Enjoy.

wingdings is the language of death

More crazy movie reviews to come, I’m sure. It’s actually horror movie season now!

The Movie Report: Lucid Movie Reviews?

I’ve been making a point to write mini-reviews or notes for most new movies I see within a day or so of watching them this year, so most of these were written fresh, and I’ve edited and added to them for readability. There’s going to be some lucidity here! And capital letters! Holy shit!

babygirl
Whoever scored this movie made my Le Tigre-loving day. Then I made the mistake of looking at reviews. Maybe it’s all AI lies but it really feels like the world got extra stupid somewhere along the way. Maybe it’s selective memory and a bit of isolation – people were prudish and superficial 20, 30 years ago, too. And people were inclined to inject opinion in things that just weren’t for them always. Synopsis: unhappy marriage leads to cheating + kink, but woman as main character in a story centered around sex led to misogyny online. Men are so delicate.

the gorge
If you like Silent Hill, Resident Evil, Annihilation type movies, The Gorge is up your alley. IMDB’s current rating of 6.7 is fair. I liked those prior-work actor references in the movie, too. Synopsis: wtf is them woods yo.

companion
A version of this story gets retold every few years. Humans and/or men are trash, et al, and the AI device is led into crisis leading towards autonomy. I may have watched too much Star Trek for this one. (non sequitur shiny black monolith goes here) That said, the horror crowd who does not normally partake in sci-fi, or those in their 20s newer to either, will probably enjoy it more.

flow
My original review: “1) crying, 2) Blender, 3) religious propaganda, 4) EE-VEN FLOWWWwWH.” I had Pearl Jam stuck in my head surrounding my watch of this movie. I generally recommend this to anyone because it’s quite an emotional journey following a cat after a flood, and it can be taken at surface value, but hardcore atheists are going to squint at it.

the brutalist
I generally think artistic experiences are ultimately worth the doing but meh. It was a just-okay bummer movie that went on too long and had a flat ending. I watched it primarily for award season, and it’s easy to be skeptical about what that crowd finds quality.

paprika
It seems I have issues paying attention to movies that involve multiple layers of reality. I understand what’s going on but my attention span just doesn’t give a shit and won’t let me stay engaged. Nearly 20 years out from this movie’s release, oh well, whatever, can’t win ’em all. One more highly-rated movie down.

presence
An after-school special disguised as a ghost story. Decent, relatively novel, but not the horror some would expect. People with motion sickness take caution. Apparently I’m old now and found the whole care bear dad schtick hot. More reasonable, emotionally intelligent men in film pls k thx. (Side-thought, I spent a good portion of the movie thinking I should paint my dresser because the girl’s dresser was cool. Probably I should not do this.)

love me
AI playing The Sims. This is an unusual movie and you’re going to have Feelingsā„¢ watching it. I can see a technically-minded sci-fi person or a detached cynical teenager hating it, but it works as an existential romance. Fuck the mid scores, it’s a 7.

gladiator 2
It existed.

kingdom of the planet of the apes
Long, like its title. Seemed foundational like the first episode of a TV series. Good ASL and pretty. Timed well with present-day politics.

love 2015
I did not write a review for this one after watching it. What do I even say? Feels pretty gross that one would knowingly involve a teenager into one’s threesome antics. There was more to this movie than that, but, like… ?! How do movies like this get well-rated but horror doesn’t? The trans sex scene also reminded me that ten years have passed since 2015. In the last few days I’ve seen a lot of news about censorship to prevent kids from seeing porn (NO! NOT THAT!) and I just want to say that I would like to see more sex scenes in movies for me to get annoyed at. Please take more chances in art, world. Stop censoring and age-gating shit. Little kids shouldn’t be on the internet anyway and teenagers are going to learn one way or another and better they have the resources to ask questions than to be hearing lies and idiocy from their friends & family. And yes, I’m quite aware that censorship’s main goal is controlling everyone and not just children.

mickey 17
I expected a sci-fi drama and got something closer to a comedy. I think if I’d gone into this blind I’d have liked it more. I obviously haven’t read its source material. It was interesting but I was really wanting for a two hour hope nap.

drop
While modern, this movie had a tone that reminded me of seeing random movies as a teen because there was nothing better to do, and, by result, ending up with a “well, that happened” sort of experience that didn’t matter later. It was fine. The leads were pretty. I mostly got through a headache. *shrug* Synopsis: dinner date goes awry because asshole helms technology.

the woman in the yard
You know the TV show The Haunting of Hill House? The basic plot was kind of like that except aggravatingly slow.

sinners
Held up to the hype well. Original review: “The long music scene was pretty cool. It used familiar horror tropes well. Nice to see some film grain. Thick accents and a brain fart I had means I’ll probably need to see it twice, which is fine.”

fear street prom queen
If I’ve read the book, I’ve forgotten it entirely. Target audience: bored 13 year olds who hate their peers and like horror but aren’t certain about it yet. Failed at: lesbian gaze, nostalgia porn, depth. There’s a place for simple horror, so, it was watchable. I was reminded that I didn’t watch the first three Fear Street movies. I started to watch one but it was bad timing with Lifeā„¢ and I didn’t return. Perhaps it’s time to go back and do that.

the assessment
Synopsis: A couple wants to create a family in an apocalyptic future but has to approve it with the board first, but the board is fucking weird. All in all, a decent sci-fi in the realm of human condition exploration. The acting was uncomfortably good as well. A fun reminder of why kids are not for me.

salem’s lot
Well, that’s the first time I’ve fallen asleep watching a movie in quite a long time. The pieces were greater than the whole. It lacked impact and depth, and the villains felt like Disney characters. There’s a place for simplicity but, eh, with existing works?

until dawn
Happy Death Day meets Cabin In The Woods. Middle-of-the-road for horror but entertaining. The dialogue & acting was odd and the first ~20 mins almost made me quit. Noticed the Hellraiser II “help me” reference, so that was fun. Also enjoyed the can-meets-head THUNK.

the crow
Even perceived as a standalone, this was not a good movie. Maybe there were elements in there of something good but it was, as they say, mid at best. I’m not sure what the point of making it was.

die hard
I tried to watch Die Hard years ago and didn’t finish it for reasons I no longer remember, but I do remember not being that interested in it and being confused about its draw. On return, I still don’t understand how this movie is so ubiquitously popular. I’ve been thinking a lot this past year or so about certain types of men who visualize themselves to be unique heroes, very Root For Team Jeff (or my old review joke, Hero Bob), but everyone is Jeff, so that might be exactly what the draw of this is. And the beyond-mediocre ratings are certainly a result of men over-valuing their own stories and being louder online in places like IMDB. I just had a giggle at the idea of this movie catalyzing someone’s feminism.

christine
Somehow I’ve never seen this before now, and it’s a shame, because it’s one of the better movies I’ve seen in recent history. The music really enhanced everything, including the dark humor. The gas station scene was excellent. With the low-to-no gore kills, I got to thinking that this movie drove so Nightmare on Elm Street’s disgusting torture scenes could walk (not really, but they do feel like opposite ends of the horror movies that came out in the early 80s spectrum). The take on toxic masculinity makes me wonder if that’s a broad theme that I missed for the diversity of output from Stephen King. Wonder what a modern take on the concept would look like or if we’re past bullying nerds. ha ha, nope.

heat
I guess I missed this when it came out. All the same, I don’t think 13 year old me would have cared. For modern day, it reminded me of a more terrestrial criminal-cop version of The Dark Knight. Weird how much the world has changed in 30 years.

the house 2022
Well, this was fucking weird. Three stories connected by a house. They all felt like insane nightmares and had Kafka vibes. The middle story featured bugs, which I was relating to because I’ve been trying to save my plants from being eaten by bugs lately. A day later I went to tackle that situation and while I was shuffling things around at some distance from my plants I found one of the bugs in this movie. I’ve never had said bug in my adult living situation and I was transported to little kid me coming home with my parents, turning on the kitchen light, and watching all the roaches scatter under the fridge. It was a brief problem but the fact that I remember it is enough to tell me that this is a situation that can get out of control quickly. My place is pretty clean and I was treating my plants for harmless-to-me bugs anyway, but I don’t know my neighbors’ situations, so I’m worried this is going to become a thing. Took me right back to the movie. Am I going to come home one of these days to a family of humanoid roach creatures eating everything? Perhaps.

strange magic
I guess I’m digging all the way to the bottom now. Simple, easy story good for older kids and uncynical types. The hair was very Can I Speak To The Manager and the music was icky. Outdated but I’m not even sure it was trying for 2015.

wolf man
Super thin plot. Familiar to a lot of 2000s-era dull horror centered on generational trauma. Some of the visually-told split perspective ideas could have been interesting in a different movie. The actors deserved better. Time passed, checks marked, list item deleted, alright what’s next.

the rule of jenny pen
Very “thanks, I hate it.” Almost a documentary from my experience working in/around aging care. Only thing missing is an old guy yelling about his time in the service, though it’s maybe obviously missing from this because it takes place in New Zealand (hold up, is the “my time in ‘nam” stereotype about to leave the realm of old folks homes? Or will it just be replaced by something-something Kuwait, Iraq?). Lacks the supernatural edge of tr00 horror but nevertheless horrific from the main character’s perspective.

28 years later
Lots of naked zombies in this. This wasn’t the most linear story to follow Days & Weeks, but it still added up to a fair zombie movie with decently fleshed out characters and the gross (or, metal lingo, ~brutal~) scenes one would expect. Nice switcheroo reference to Dawn of the Dead with the pregnancy thing. JIMMAY!

We’re closing in on a new season of horror movies, so I imagine the next movie review post will be full of that. That said, I won a movie theater voucher recently, so just maybe I’ll spice shit up here and report on something right after it comes out. Shock!

The Movie Report: January Update

We’re at that odd time of the year where I’m burnt out from the horror movie and year-end seasons, movies I mean to see before awards parades I’m either not in the mood for or they haven’t been widely released yet, and I keep thinking “I should watch this old movie and have an existential crisis about how old I am” to knock some supposed classics and best-ofs off my queue. It’s probably a clue that I should actually knock out a book or do some creative things. Alas, the hurty head times are always lurking in the shadows demanding 2 hours of stillness, so here we are again.

Heretic
At first I thought it seemed a bit cruel that this featured two mormon ladies. Like, y0, we’re picking at the bottom of the barrel of society here. But, if it were two missionary boys, the movie would have ended when Hugh Grant held up an old Playboy and excitedly asked “who likes dinosaurs!!” Repressed Brother Smith had prayed for this day for years! Anyway, reminded me of a cross between Nefarious, Barbarian, and Men. Fine but not fantastic.

Red Rooms
True crime courtroom Batman. Interesting enough but best worked for me in context of cleansing me of lingering negativity towards emotionally intense French movies and/or Canada.

Things Will Be Different
RIYL low budget time travel movies. In this one the characters are already aware of the time travel, so, that’s new. Did not like the filming style. The ending felt off and made me feel like I missed something, which is altogether possible.

Anora
While not the same tone or level of violence, RIYL Tarantino movies. Absolutely do not watch this with stuffy or emotionally immature people. I feel like anything else I say would be a spoiler, but the synopsis of a sex worker meeting a rich guy whose parents aren’t about that shit is accurate. I’m curious to see how the Oscars treat this movie given its content. Otherwise, a very decent movie and caused me to tweak my early end-of-year list.

The Texas Chain Saw Massacre 1974
Well shit. Now I see all of the references in those Rob Zombie movies. Excellent set dec. Definitely in the “WTF” camp. Better than I thought it was going to be. But I’m still not much of a fan of slashers. Teenage me probably would have liked it more but I have since grown empathy and tired ears. (When they pulled up to the gas station, I swear the guy was going to scream “Pancakes!”)

Nightbitch
Mild horror drama about motherhood being a burden. If you’ve ever had to take care of a person, young or old, for an extended period of time alone, you’ll perfectly understand it. I lol’ed when she talked to the cat. The rating it has is fair considering who tends to rate movies. Meanwhile, I had CSS’s “Art Bitch” stuck in my head the whole time. Almost relevant!

Rumours
This was my punishment for not checking ratings for movies before watching them and believing the cast alone would make for a good watch. Maybe going in blind on movies is not the best policy. Either way, didn’t care for it. This was my first movie seen of 2025.

Turning Red
The talk about this movie 2-3 years ago led me to believe it was going to be about periods. It was actually just a general coming-of-age movie focused on a do-good teen girl learning to live in her own shoes and her family’s matriarchal culture. Decent, easy watch but I’m glad I unintentionally didn’t watch it when it came out because of the parent relationship here.

The Red Shoes 1948
Even 77 years of society and film later, this felt relevant. Men be menning. The long ballet scene was worth the watch.

Dressed To Kill
Pretty transphobic in the way Silence of the Lambs is but worth it for the lols brought on by the “what’s in this drawer?” scene and the lady sitting behind the son scene. Much nudity. Much horrible acting by the second lead woman (apparently she nearly won a Razzie). For 1980, it tried.

Double Blind
I stopped it halfway and forgot I was watching it, and when I finally picked it back up days later it didn’t make much of a dent. It’s not bad, but ultimately it came across as a middle-of-the-road mild horror. It might have been better as a TV episode than a movie.

Jaws
Well, I finally watched the whole thing. I’ve of course seen it in tiny pieces in culture, and one scene reminded me that I rode whichever Universal Studios ride that had a Jaws part in it, but whether I saw it as a young kid is uncertain anymore. It felt new… and it felt like 1975. The vet was an interesting character, the main dudes generally felt well-rounded, and the shark had a decent amount of realism even for 2025 standards (let’s be real, special effects peaked in the 80s before digital-everything took over and this movie contributed to that peak). But, brutal death aside, the sense of danger in movies in the 70s doesn’t compare to later iterations. But I saw it, finally.

Sunshine
This title doesn’t lead to remembering it well vs dozens of other space movies. I accidentally started watching Serenity first before I clued in that it was overly SyFy and I should check to make sure it wasn’t a TV movie and I was spoiling some TV show for myself. Indeed. Ok then, another day for that one. Anyway, in 2007 this would have made a dent, but today it mostly caused a strange feeling of realizing things that happened in 2007 now feel dated. It’s not committing any major temporal atrocities, but the small things added up and reminded me that 2007 was 18 years ago and omfg. What the fuck. Why? As for the movie itself, it’s about an earth-saving mission to the sun and a crew with evident brain damage with writing featuring plot holes and direction that reminded me of American Horror Story at times. It’s not terrible, if you like sci-fi with typical human idiots in it you’ll like it, and it had at least one interesting idea, but I checked out by the last third of the movie.

A Real Pain
Given the characters, this felt akin to a comfort movie for people with depression. It kind of just ‘was’.

Nosferatu
Talk about stylish. There are definitely similarities to The Witch, etc, which are hard to ignore. But this movie was the mopey romantic-era goth side of pretty. Kid me would have ate this movie up. I’ve never seen the 1920s original movie despite repeatedly planning to, so I have nothing to directly compare it to in terms of style or story, but as a standalone entity, nice job. Loved the shadow over the city scene. Thought of the movie Legend at least once, as well as The Keep, Fright Night, and Possession, and (of course) Night on Bald Mountain. I am definitely going to see this a second time. Will this hark the return of creepy vampires?

I’m presently planning to type here a bit more often as the social media landscape that I’ve been attached to most the last 15 years has grown stale at best. I’m very much not a fan of policy changes that discount LGBTQIA+ people or allow space to treat non-straight relationships as lesser. The inauguration and the subsequent corporate bootlicking that’s followed despite the president clearly associating with a nazi now fueled to the point of no longer hiding it has really put me off on associating with anyone or anything that’s complacent to this. We can deal with a bit of discomfort and inconvenience in divorcing ourselves from these entities and do better.

Oscars tarot predictions

Eh, what the hell. Let’s ask tarot to describe the movies that win awards at the Oscars once again. Nominations haven’t even been listed out yet, but we’ll see if I can narrow it down with just three cards. Probably not since I haven’t seen too many Oscar-level movies yet, but, hey, learnin’.

The overall question is “describe the plot of the movie that wins” or “describe the role of the actor who wins”.

[Updated 3/2 with who won.]

Who hosts?
5 of Wands, Fool, 3 of Cups
My theory before I checked because I forgot it had already been announced: A comedian. 3 of Cups is a lighter/fun energy despite the 5 of Wands, Fool could be like a jester to be overly literal or someone who takes leaps/chances. It’s Conan.

Best Picture
6 of Pentacles, Knight of Swords, 5 of Swords
My theory: Anora. 6 of Pentacles has sexual/power exchange vibes, the rest of the movie is a lot of conflict. I haven’t seen too many movies theorized to be nominated but this feels on the money. Would a movie like this still win, though?
WHO WON: Anora.

Best Director
Page of Swords, 4 of Pentacles, Queen of Cups
My theory: I’m not sure. I’m trying to describe the movie here and I’m not sure if I’ve seen it to be able to describe it in tarot. Queen of Cups makes me think women. Page of Swords chaos or communication. 4 of Pentacles is a reserved, stingy, closed energy.
WHO WON: Anora.

Lead Actor
Ace of Swords, Knight of Swords, Knight of Pentacles
My theory: My mind immediately went to Adrian Brody because of the Knight of Pentacles. This is trying to describe the role, and I haven’t seen The Brutalist, but if it’s about a gradual journey of self-defense in the name of truth/clarity… My other thought was Sing Sing/Colman Domingo for that description.
WHO WON: Adrian Brody.

Lead Actress
8 of Wands, Knight of Pentacles, 2 of Swords
My theory: Demi Moore?! That so well describes her role, excluding the ego element. Taking a blind eye or being split between two difficult choices, to a background of passionate, firey movement vs being still.
WHO WON: Mikey Madison/Anora. The cards still work for her role in that movie.

I feel like that’s mostly enough, but this year I asked about a few other things for fun.

Original Screenplay
Wheel, Page of Cups, 9 of Wands
Theory: 9 of Wands immediately makes me think of someone injured, and A Real Pain may be nominated, sooo. I’m not sure what to think of Wheel vs the movies I can think of.
WHO WON: Anora. These cards confuse me, but she is, indeed, injured and stalled in that movie, and she comes into fortune.

Animated Feature
Page of Pentacles, 9 of Pentacles, Ace of Pentacles
Theory: The Wild Robot? I had to break this down since I haven’t seen any animated movies recently. Page of Pentacles suggests kids or learning/growing up. Ace of Pentacles would be a new venture and doubling down on that energy of a novel next step towards growth. 9 of Pentacles has an independent feeling, standing apart, and there’s a bird on the card. There’s a bird in a few of the animated movies this past year but Wild Robot features one. You look at my fuckin’ bird!
WHO WON: Flow. There’s a bird (several) in Flow, too. And we looked at that fuckin’ bird.

Sound
Hermit, 5 of Cups, Lovers
Theory: Uhhh. Introverted seeking and losses in regards to choices made or partners had. I didn’t see Challengers in the theories lists, so maybe it’s Wicked? Evidently folks got a lot of 5 of Cups energy out of it.
WHO WON: Dune 2.

Costume Design
3 of Cups, 2 of Pentacles, 4 of Pentacles
Theory: Wicked? 3 of Cups is a bunch of women/witches dancing.
WHO WON: Wicked.

That was all I was going to do, but let’s pull cards for supporting actors as well. Might as well test the shit out of myself while I’m here.

Supporting Actor
Justice, World, Knight of Swords
Theory: Sounds cerebral. World could be travel and several movies feature it.
WHO WON: Kieran Culkin for A Real Pain. My description made me laugh. It’s literally about traveling and features a couple of hyper-cerebral guys.

Supporting Actress
Sun, Page of Cups, 9 of Wands
Theory: Something positive, joyful, youthful, or musical that hits a snag or injury. My mind goes back to The Substance but, well, horror. So one of the musicals is probably next best choice.
WHO WON: Zoe SaldaƱa for Emilia Perez. Well, it’s a musical.

Documentary Feature
Temperance, Moon, Hierophant
Theory: I haven’t seen any of these to be able to make a remotely accurate guess. But, waiting…secrets…religion. Sussing out problems in the darkness within an institution and trying to find balance. Black Box Diaries, No Other Land, and Union seem to qualify. Those three specific cards sound like Union’s synopsis to me but I haven’t seen it to know for sure.
WHO WON: No Other Land.

We’ll see where we are with the nominations on the 17th when they’re announced and maybe I can narrow it down a bit from there.

Update 3/2: Well, I got a lot of these. Three cards is difficult to narrow down full context, but it seems I’m getting better at this, and even got movies/roles I hadn’t seen yet. Bummed that The Substance got the usual horror treatment and “only” won for makeup/hair, but Anora was a fine movie worth the now-hype, and good for them.

Best of 2024: The Movies

Since my annual update at the end of 2023, I’ve logged 108 movies total. That averages about two movies a week – about normal for me. In actuality, I watched a movie every other day in February yet watched almost nothing in April when I was moving, but the two movies a week average has been my norm for years if not decades.

Of those movies, around 50 of them were released in some sense in 2024, either officially or after an overseas or festival debut last year.

So let’s talk about some of them.

Just about everything that happened before April 2024 feels like it happened much longer ago than it did, and the first movie I saw this calendar year – Saltburn – follows suit. Was that not two years ago? And yet it wasn’t even one full turn on of the sun from now. That was quite a movie, wasn’t it. It definitely hit the hype machine, given the dicey content. I remember liking it and it had a lasting emotional affect, but it seems not to have made much of an impact a year later. Maybe it’s an age thing mixed with proximity to the LGBTQ+ crowd thing of not really finding particular content to stand out so much.

Horror movie When Evil Lurks also feels like it happened ages ago, even though I saw it in January. That was more of a Something Elseā„¢ experience for my taste, but I recall the ending didn’t feel quite right. I knocked off a few older horror movies for me soon after and caught Anything For Jackson, and I remember it felt like a very ā€œfullā€ movie despite seeming to be lower budget.

February was a difficult month for me and I saw a lot of movies, most of which don’t stand out so much now even if I clearly remember them. Poor Things, however, was easily one of my favorite movies that I saw this year. Yeah, it came out last year, it got its awards already, people are over it – but I found the movie fantastic. It was quite a ride, and beautiful at that. Recently I heard someone self-censor a sexual term as ā€œfurious jumpingā€ in the same way people say unalive, pr0n, grape culture, etc. thanks to the stupidity of internet censorship, and it was a fun reminder of how silly yet timely this movie was for talking about modern feministic ideas.

Closer to Oscar times I knocked off a bunch of better-rated and bigger-budget movies. I saw Dune 2 fairly soon after its release, but something about it didn’t sink in the way it seems to have for others – that said, I was in the middle of moving, and I feel like watching all three (assuming there will only be three) movies back-to-back will probably have the most payoff. With how much I liked the first Dune, I may end up watching the second again before the third comes out… two years from now. Yeah, I think I can pencil that in.

The first movie I remember seeing after I had fully moved was Late Night With The Devil. It was a great experience of the horror crowd adequately pushing a movie and still feeling like I went into it totally blind. I also remember finally feeling a sense of basic comfort, like the movie was the cherry on top of months/years of worrying about my literal place in the world. I will need to see it again someday, now knowing how it ends.

I knocked off some bad, boring, and meh-to-me movies throughout the spring. In that, Nefarious stood out as a one-location talker, Hatching was good for being fucking weird, Exhuma was interesting for the fresh takes, finally watching The Keep was fun, and even though it was middle-of-the-road, I appreciated recognizing highway landmarks in New Life.

A three-movie run in the middle of the year now stands out to me now as darkly comical. Someone I barely know had been trying to push me into dating despite me being uninspired by the idea and straight up telling him no later, and in that he had brought up seeing Godzilla Minus One. Yeah no. No means no. Meanwhile, a separate person mentioned The Unbearable Lightness of Being as formative to his sexual awakening, piquing my curiosity. I saw the first movie and was like, yep, I did not need to see this with anyone ever and may have been annoyed by someone around me talking it up instead of me just quietly letting it go (it was fine). Then I saw the second movie and felt put off by the idea of anyone getting off to this movie even in the abstract, specifically because of the not-actual-consent scene. Part of me was like, it’s not okay to yuck other people’s yum, and teenagers are stupid, and who’s to say what the adult really meant. The rest of me: Jesus H Christ Fuck Shit Damn, get y’alls weird-ass Catholicism under control and stop fetishizing women as sexual conquests, second-class citizens, and faceless social pawns. WTF is empathy, even? Who knows, but definitely don’t ask either of those two men. What’s next, “Have you seen Lolita?” (Dear universe, please bring me sober atheists who are fully capable of communicating appropriate, consensual emotional and sexual affection because they already believe women are dynamic individuals rather than just toys or appliances or another vision of their Jungian shadow. I am so sick of crying because of these fucking idiots. Thanks, it would mean a whole lot.)

I topped these two movies off with I Saw The TV Glow. While a mirror for the trans experience, when the main character said he was into TV, I felt that so hard and interpreted it under the lens of asexuality until it was more obvious it had a different context. Young me didn’t care that much about TV or the sort of shows that this movie pulled from, but my teenage experience was a whole lot like that bleacher scene. The weird, dark, artistic nature of this movie capped off some shitty feelings about straight men in my adulthood and reminded me that my people are far more inclined towards an I Saw The TV Glow viewership than of the former two movies. (Dear universe, that was an unsubtle hint.)

I began the summer more kindly by watching The Boy And The Heron. Parakeets, amirite? I then finally saw Kiki’s Delivery Service and was a bit sad I hadn’t seen it years ago – it’s a cute movie. One of these days I’ll see the movie with the cat bus.

My Own Private Idaho was interesting from a personal historical perspective, given it was filmed right about the same time I moved to the Portland area. Eight year old me didn’t see my vision of Portland as old as this felt, but hey, there’s my bus stop when I used to go to concerts all the time 15-20 years later. I’m still laughing about throwing chairs in a graveyard, but boy did this fuckin’ movie hurt to watch. I wanted to stab Keanu in the face for being such a (see above) unempathetic, selfish bastard.

Just before I began a run of almost exclusively horror movies, I saw Challengers. That’s some excellent tension, right there. And the soundtrack, of course, felt familiar before I even realized it was. At this point, I’d put this movie very high on my favorites list from this year. If you liked Saltburn and/or Poor Things but haven’t seen Challengers yet, go do the thing. Yes, even if you don’t like sports movies.

I’d say Longlegs scratched the annual ā€œwhat the hell is Nic Cage screaming about now?ā€ itch and felt compelling even with a derivative script. I hope this guy is being an aggressive fucking weirdo in movies for years to come. Speaking of fucking weird: Horror In The High Desert 3 was finally released, and omfg, is this going to turn into found footage The Happening? Here’s hoping 4 can manage to be interesting for longer than an eighth of a second.

Kinds of Kindness was certainly interesting and felt relatively fresh. A Quiet Place: Day One was a fresh take on the franchise that I preferred over the original. Lots of people seem to have not liked Trap, but I enjoyed the realistic (mostly) setting that, in the moment, felt uniquely fresh. People like to give M. Night a lot of shit, but even for the predictable and sometimes frustrating twist elements in his movies, they’re generally worth watching if you like weird horror/thriller topics in your movies, which I do.

And then I saw The Substance. Good god why can we only see a movie once for the first time. It did everything right. Right off the bat it reminded me of scenes from Little Otik where, despite how many insane things happen in that movie, the most emotionally disturbing parts are of the family just eating. It reminded me of my love for Freaked, of Beast Boy & company dealing with being the product of toxic goo, and the ending of The Substance about did me in on that comparison, if from a narcissistic female perspective. The ā€œgetting readyā€ scene was another stand-out moment, and eesh, it reminded me of having anxiety attacks before leaving the house, emotionally burning out and feeling absolutely defeated before I could even make it to the door. The overall statements the movie made work both for the moment and in a larger sense of American culture for at least the past 80 years. I could go on, but the short of it is, I loved this movie.

Proceed a whole buncha horror. Rewatching American Werewolf In London likely for the first time as an adult was eye-opening and a solid reminder of how good this movie is. Loved the novel ending of 2024’s Speak No Evil for my usual ā€œit went thereā€ reasons. Humanist Vampire Seeking Consenting Suicidal Person was lovely and something I wish had been around when I was a teenager. Apparently dead babies are crunchy according to the first film in Three Extremes. Beetlejuice Beetlejuice wasn’t too bad, if unnecessary. I liked Strange Darling, though a couple of months removed from seeing it, my memory of it is already lacking. Nice to see familiar Oregon represented again, anyway. I wish Alien Romulus had been better and hadn’t tried to hit the same tired marks elsewhere in the franchise, needlessly trying to appeal to a crowd who doesn’t know better while the crowd who does is still alive to roll their eyes.

I had low expectations going into Smile 2 but it ended up being one of my favorites of the year, both for the generally stylish aesthetic and the crazy ending. I followed that with the slower, more mature Conclave and was very entertained by its conclusive statement for reasons I mustn’t spoil until all the wrong (technically right) people have seen it. I have yet to see many predicted award winners but it’s obvious that this one is going to get some love.

And that brings us to the final weeks of the year. Civil War was worth seeing before the end of the year. I didn’t like Heretic as much as I wanted to, though it was fine. I just saw Anora to knock off an evident award-winner, and sure enough, it was worthy of praise. And now I’m staring down whether to finish this post as it is or wait another few days to see if I catch another movie worthy of a paragraph… Perhaps, but I have other writing to do and only so many days of the year left with a cooperative hand.

As things are, I’ll be updating my mini reviews soon enough for the movies I haven’t yet talked about from this year, and I’m sure a few presumptive Oscar movies will be included.

Everyone likes a list, so here are my favorite movies of the year, more or less in order:

  1. The Substance
  2. Poor Things (2023)
  3. Challengers
  4. Late Night With The Devil
  5. Smile 2
  6. Anora (mini review pending)
  7. Conclave
  8. I Saw The TV Glow
  9. When Evil Lurks (2023)
  10. Civil War
  11. Strange Darling
  12. Longlegs

Now what about 2025?

I’m currently planning to see Nosferatu, Gladiator II, and several other 2024 movies hypothesized as potential Oscar winners: Flow, Emilia Perez, Wicked, Maria, Sing Sing, The Wild Robot, etc. For actual 2025 releases, 28 Years Later is sure to be some level of interesting even if it sucks. Project Hail Mary still isn’t due until 2026, so for space sci-fi, Mickey 17 is evidently going to have to do. Downton Abbey has a third movie due in September if you’re into low stakes period drama. It looks like the werewolf subgenre is trying to make a comeback, so there’s The Wolf Man for horror. Lots of familiar names on my watchlist but not a lot of details, so we’ll see what pans out as next year paces on. Until then, hopefully I can keep my Letterboxd updated.

The Movie Report: December Update

It’s nearly the end of the year, and it’s altogether possible that my next movies update is my list of favorites seen this year. Will there be another update beforehand? We shall see.

For now: I originally wrote all but two of these reviews within a couple of days of watching the movie – a first for this series. Will the tonal shift matter? Let’s see if I can even keep this up.

By the way, if you want some – not all – of these reviews sooner than once every 2-3 months, follow me on Letterboxd. I’m trying to keep that updated.


strange darling
Serial killer movie. The basic plot is revealed in the first minute. Dark and misanthropic against a bright summer Mt Hood-area background. Excellent writing and direction. A younger me would have loved the eff out of this, in part because of how local it feels. Older me is wondering why it has to beeeee thissa way.

three extremes (2004)
1. “Dumplings” by Fruit Chan: Liked this one a lot. Compelling characters and a good amount of believability so the horror portion didn’t have to go the distance to be upsetting. So crunchy.
2. “Cut” by Chan-wook Park (The Handmaiden, Oldboy): Never considered Korean vampires before… but the rest of the short was interesting on level with Saw. Not a concept that does much for me, but it was decent.
3. “Box” by Takashi Miike (Audition, The Happiness of the Katakuris): Not my cup of tea. Slow as fuck and too many unanswered questions.
The whole thing made me think about how The Happiness of the Katakuris was the first DVD-by-mail movie I ever watched, of how that was almost 20 years ago now. Still the most insane movie I’ve ever seen. I had a side thought about people self-censoring their media experiences towards Disney/YA/PG-13 at worst and how often that collides with the same people who prefer to live in boxes of their own making and cruelly hate anything that doesn’t rigidly conform to said box, meanwhile I’m over here going ham for the dead baby story from a different decade, country, language. Imagine the possibilities if you just open the lid (Pandora/Hellraiser who what now?).
Anyway, finally seeing this 20 years later: worth it.

beetlejuice beetlejuice
I was worried this would irritate me. I felt unbothered and it instead captured my attention. Speedy, relatively complex plot. It looked and sounded good. Nobody from the original movie got fuxored and real life considerations were twisted comically to fit the movie. Some of the added ideas to make the world bigger felt meh, but, oh well, it’s a comedy. Overall it reminded me of being a teenager seeing movies like The Frighteners or Casper when they came out in theaters, or earlier with Addams Family (though I think I only ever watched those two movies at home), so even though it couldn’t be a carbon copy and lost the charm of the original, it got the vibes down. NEXT. (PS. Catherine O’Hara is da best.)

woman of the hour
I veered away from strict horror and did a crime-thriller. “Men As Horror” could be a subgenre, though. I do not understand the crowd who enjoy this genre or why it’s given more of an “ok” stamp socially when it’s far more emotionally upsetting to me than nonsensical paranormal things that rely on imagination and ideas, not real everyday reality people actually live/lived through, including myself. Anyway, it was well put together, acting was great, looked great. Ending was satisfying to a degree but still frustrating. I take it that was the point. I would like a couple of makeup & hair lady cheerleaders in life pls.

the platform 2
Well. I fell asleep watching it, so that’s how impactful it was. Parts of it felt fine but the pace, direction, story, tone, and typical sequel problems all added up to a dull, confusing movie. If you haven’t seen The Platform/El Hoyo, I’d recommend that – it was one of my favorite movies that year – and skipping this.

joker folie a deux
I was thinking about what fuck-this-world Slipknot lyrics movie I could watch that would fit my shitty mood, and this worked both in theory and in practice. The singing got annoying but none of the singing went on too long. The 5 IMDB rating seems low but still fair. I liked the subtle digs at the types who liked the first Joker so much and I wonder if that’s contributing to that number. Overall, not terrible, not great, and now it’s off my list.

twisters
Adequate popcorn movie. I wouldn’t normally watch a movie like this, but my ex and I were talking about it due to shared history with Twister. Was this derivative, shallow, and unnecessary? Yessir. Did I recoil at some of the “yeehaw” vibes? Yep. But it was watchable and inoffensive. It’s also a reminder that, as much as I’m a believer in moderation in all things and sampling novelty to refresh the palate, I really do like dark & weird content and popcorn movies just don’t cut it. My ex does not partake in fuckery, but he agrees about Twisters.

alien romulus
An unsatisfying combo pizza. It’s pizza. Yay pizza. But it’s from that one place that somehow fucks up pizza. Oh well. I guess I had pizza. That said, the “bitch” line was out of character and fucking ridiculous.

saturday night
This felt like a 50-year anniversary vanity thing, but it was an easy watch and the choreography felt like ballet. Don’t know how much was distorted from reality or how much was tonally reinterpreted through modern glasses, but as presented, it was plenty watchable.

look into my eyes
Documentary about psychic readings. Revolves around the conversation of loss – of all types. There will be tears. I’m still a little too sick for the chaos I might have otherwise chosen so the quiet vibes of this one worked, even if it reminded me of shit I wish I’d just forget. (Also gave me a “Cult of Personality” earworm, so there’s that.)

smile 2
A rare upgrade on the original. You’ll like it if you like watching folks get tortured. Pretty gory and simultaneously quite stylish (set design and fashion choices were both great). Culminating monster = chef’s kiss. Reminded me briefly of Men and A Nightmare on Elm Street and feels at home against this year’s The Substance with a sprinkle of Trap.

conclave
Who knew a slow, stuffy oscar bait movie about a bunch of wannabe popes would make me laugh so hard I gave myself hiccups? This movie is perfectly timed with the current political atmosphere in the US. If you’re non-religious or not particularly jazzed about watching a bunch of old dudes bicker right now, be patient with this one because it pays off.

civil war
I went in blind, expecting it to be a true action movie. While it made my blood pressure rise and I had to take a couple of breathers, it was more thoughtful than pure action. I looked it up after and saw the director also did Men, Annihilation, Ex Machina, and Devs… All hits for me. Unsurprisingly, this worked. It has a 7 on IMDB, even with several women in it (shock!), but I suspect it would have a higher rating if the general population didn’t require spoon-fed, simplistic, 1D, tweet-sized, masculine-friendly messages to process or understand anything. Unfortunately, we live in a time of nude monarchs and the only questions some people ask are “BUT MY EGGS?!” I feel like people a decade from now are going to look at this movie as prophetic.

juror #2
One of those movies that felt like it belonged as a 90s Sunday night special or Lifetime movie. If you like true crime style content, you’ll enjoy it. It’s about a guy’s moral dilemma as he realizes he’s close to the source of a proclaimed murder. Watchable but not really my cup of tea.

it’s what’s inside
Likely needs to be watched twice to fully understand what happened when. In short, a bunch of selfish and immature 20-somethings go to celebrate a dude’s wedding when they’re socially ambushed by an old friend who feels like terrorizing them with sci-fi games. Chaotic editing and novel ideas ensue. I wonder if this would have worked better as a TV series to fully drag out what happened with certain characters both on screen and off.